Ali Bali

Ali Bali is the co-founder of 3TOON, the independent studio he has been running since 1999. He has directed and produced more than 500 films across every visual style, building long-term relationships with major brands and institutions — from EDF, La Poste, Air France and Sanofi to the European Union and the French Ministry of Health — alongside startups and small businesses.

Ali Bali during the production of The Office Webcam
 

AI-Integrated Production Pipeline

Over the past two years, Ali has fully migrated 3TOON to an AI-integrated production pipeline, combining best-in-class generative tools with traditional craftsmanship. The studio now handles the full production cycle in-house — script, storyboard, character and environment design, animation, voice, music, mix and finishing — with delivery timelines that were unthinkable five years ago:

  • Image & character design: Midjourney, Nano Banana
  • Motion & cinematic generation: Runway, Seedance 2.0
  • Voice & multilingual dialogue: ElevenLabs
  • Original music & sound design: Suno
  • Finishing & post-production: After Effects, Premiere Pro, Vegas Pro, DaVinci Resolve

Selected Recent Works

Fiverr Pro

01 · Pitch Trailer

Cleopatra — The Hidden

Cinematic AI-generated pitch trailer for an upcoming prestige mini-series centred on Cleopatra and Julius Caesar — also serving as the flagship piece of Ali’s new Fiverr Pro gig in cinematic AI Videography.

Laurent Wolf

02 · Music Video

Fiesta, fiesta — Laurent Wolf

AI-directed music video for Fiesta, fiesta by Laurent Wolf — French DJ and producer, internationally known for his hit No Stress.

Training

Ali studied at the École Nationale Supérieure des Arts Appliqués Duperré in Paris, specialising in graphic arts. The school’s academic curriculum gave him a broad artistic foundation — art history, anatomy, sculpture, painting, geometry, sequential art and animation fundamentals.

Early Career

Before founding 3TOON, Ali spent about fifteen years working in Paris advertising agencies in a variety of roles — layout artist, rough artist, and then studio supervisor — and as an assistant director on television commercials. He also worked as a proofreader in publishing. Most of his hands-on craft was built on set, through direct experience. In parallel, he wrote and directed several short films.

“ I was 19 and I had the good fortune to start out in commercial filmmaking at a time when nothing was too lavish to make the best possible film.
I still remember the first shoot I ever worked on, at the Boulogne studios in Paris. I was an assistant on a 20-second commercial for a Christmas chocolate brand. Two full days of shooting had been scheduled inside a vast studio, where a building façade had been reconstructed, along with the heroine’s bedroom — the room where she would discover her safe broken into by Arsène Lupin.
I worked alongside Claude Chabrol, who directed the film, and Henri Alekan, whose cinematography on Cocteau’s Beauty and the Beast — and later on Wenders’ Wings of Desire — I had admired for so long.
During lunch breaks, I would sneak into the neighbouring stage where Luc Besson was shooting Subway with Christophe Lambert and Isabelle Adjani.
Then, in post-production, I met composer Philippe Sarde, whose score for Polanski’s Tess I had been a long-time fan of…
In short, back then, a brand wouldn’t spare any expense for a commercial. It could bring in a top-tier film crew for two fifteen-hour days in a major Paris studio — all for twenty seconds of finished film.
For me, it was the dream training. ”

Ali Bali

3TOON Studio (since 1999)

Ali Bali on set

In 1999, Ali co-founded 3TOON with Violaine Meunier.

Drawing on his years inside advertising agencies, he set out to serve the studio’s clients with the same care he had seen given to top-tier productions. The combination of artistic mastery and a sharp understanding of communication objectives allowed 3TOON to attract major accounts usually out of reach for a small structure — including EDF, La Poste, Air France and Sanofi-Aventis.

The habit of dialogue with the communication and marketing leaders of these large organisations — and close attention to their actual needs — is perhaps the most valuable skill Ali has developed over his years at the helm of 3TOON.

Ali Bali on the set of a musical e-card shootAli Bali adding his own touch to the choreography of the « Office Stars » greeting card, produced for Bruneau.

Contactez 3TOON pour une demande d'information

3TOON Studio

Founded in 1999, 3TOON is a French animation studio. As pioneers of web animation, the studio has produced 300 videos to date for prestigious clients, including the largest French companies and government administrations, as well as numerous startups and SMEs that have used our animations to grow their businesses. Contact us to discuss your project.

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  • CLIENTS GRANDS COMPTES

    Air France - La boutique en plein ciel

    AIR FRANCE

    Air France fait la promotion des ventes à bord de ses avions avec ce tour du monde en dessin animé.

    La Poste et sa filiale Maileva - la tétralogie

    LA POSTE

    La Poste commande 4 dessins animés pour une gigantesque opération d’e-mail marketing sur 300 000 contacts professionnels.

    Spot télévisé Société Générale

    SOCIÉTÉ GÉNÉRALE

    Spot télévisé pour une campagne de communication sur le partenariat “assurance” réalisé avec le groupe Axa.

    Sanofi Aventis - Adieu le palu !

    SANOFI-AVENTIS

    Sanofi Aventis lance une campagne de prévention du paludisme à l'aide de ce dessin animé éducatif sous forme de conte musical.

    EDF - Lumière sur la facture

    EDF

    EDF met les choses au point au sujet de sa nouvelle facturation en euro...

  • TECHNIQUES D’IMAGE

    Dessin animé 2D

    DESSIN ANIMÉ 2D

    Pureté de la ligne et des couleurs pour un message synthétique et direct.

    Animation 3D - images de synthèse

    ANIMATION 3D

    L’image de synthèse offre toute la liberté permise par l’animation, en y ajoutant un degré de réalisme proche de celui des prises de vues réelles.

    Motion Design

    MOTION DESIGN

    Le motion design est avant tout un style d’animation qui combine des éléments visuels, du texte et des effets sonores pour raconter une histoire ou communiquer des idées complexes.

    Cartes animées

    CARTES ANIMÉES

    Les cartes animées restent toujours aussi populaires auprès des internautes grâce à la personnalisation qu'elles offrent, surtout quand arrive le moment de souhaiter la bonne année.

    BD (Bandes Dessinées)

    BD (BANDE DESSINÉE)

    Grâce à la BD, votre message peut toucher votre public par un média différent et vous améliorez ainsi la couverture de votre communication.

  • VOS OBJECTIFS

    Objectif VENDRE

    VENDRE

    VENDRE ! C’est la priorité numéro 1 de toute entreprise commerciale ! Découvrez comment vos vidéos peuvent vous y aider.

    Objectif INFORMER

    INFORMER

    L’animation en ligne est un moyen efficace de relever les trois défis de la transmission d’une idée. En effet, comment être sûr que votre message soit à la fois perçu, compris et accepté ?

    Objectif LANCER UNE MARQUE

    LANCER UNE MARQUE

    Pour faire décoller le chiffre d’affaires, et devenir une marque de référence, il est crucial de développer sa visibilité ! Voici une check-list qui vous permettra de l'obtenir pour votre marque.

    Objectif E-LEARNING

    E-LEARNING

    Vous êtes sur le point de lancer votre offre de e-learning, et vous voulez qu’elle se démarque de la concurrence et atteigne un niveau supérieur ? Alors l’animation est la clé pour y parvenir.

  • MOTS-CLÉS

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